"Sure, I love Ai's optimistic energy, and I love the few moments where Setsuna goes off all otakuy (hard relate, girl), but Yuu's go-get-'em attitude and clear communication is what I wanted to see the most of. How often do I get to say that about a protagonist? Not often."
Senyoku no Sigrdrifa Review
"It's got its fingers in several pies and none of them are given the dedication to be the 'oomph' factor to make the series worth watching"
Vlad Love Episode 1 Review
"It was funny - really funny, even - by virtue of great direction and that chipper pacing, but the gags themselves were just okay slapstick"
Taisou Zamurai Review
"overall, it builds a compelling story, even if it's ultimately... not the one you'd expect going in"
Akudama Drive Review
"It's equal parts eloquently meaningful somehow punkishly pissed off political critique, and still adrenaline pumping thriller action. And it excels at both."
Adachi to Shimamura Review
"The monologues, that dominate episodes, are equal parts intimate and hilarious"
Yuukoku no Moriarty Season 1 Review
"if you didn't already want to eat the rich, you do now"
Majo no Tabitabi Review
"Majo no Tabitabi is a journey. It doesn't need to have a point; it only need be entertaining. And it... mostly is."
Hidashi no Gen Review
"The bomb dropping may well be the most jaw-dropping sequence of animation to come out of Japan, and that's no small feat."
Fall 2020: Elaina is not a psychopath, but let’s keep the discussion on the show
"Critical discourse died an unceremonious death around Majo no Tabitabi"